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    <loc>http://chloelamford.com/the-magic-flute/the-magic-flute</loc>
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      <image:title>The Magic Flute</image:title>
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    <loc>http://chloelamford.com/the-history-boys</loc>
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    <lastmod>2016-12-27</lastmod>
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      <image:title>The History Boys</image:title>
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      <image:caption>The History Boys / By Alan Bennett /Sheffield Crucible Theatre / May 2013 Direction: Michael Longhurst Lighting:  Neil Austin Sound:    Max and Ben Ringham Choreography: Imogen Knight PRESS ... when the boys perform choreographed scene changes to loud Eighties pop pastiches on a thrust stage marked out by sports-court white lines, Chloe Lamford’s sprawling design comes into its own. ★★★★ THE TIMES he fading lines of a badminton court on the polished hardwood parquet immediately evoked the dreary, empty routines of grammar school life. ★★★★ THE INDEPENDENT ★★★★ THE GUARDIAN</image:caption>
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      <image:title>The History Boys</image:title>
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      <image:title>The History Boys</image:title>
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      <image:title>The History Boys</image:title>
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      <image:title>The History Boys</image:title>
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    <loc>http://chloelamford.com/circle-mirror-transformation</loc>
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    <lastmod>2018-02-14</lastmod>
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      <image:title>Circle Mirror Transformation</image:title>
      <image:caption>Circle Mirror Transformation / By Annie Baker Royal Court at the Rose Lipman Building July 2013 + Direction James Macdonald Lighting Peter Mumford Sound Carolyn Downing</image:caption>
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      <image:title>Circle Mirror Transformation</image:title>
      <image:caption>Circle Mirror Transformation / By Annie Baker Royal Court at the Rose Lipman Building July 2013 + Direction James Macdonald Lighting Peter Mumford Sound Carolyn Downing</image:caption>
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      <image:title>Circle Mirror Transformation</image:title>
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      <image:title>Circle Mirror Transformation</image:title>
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      <image:title>Circle Mirror Transformation - ©Stephen Cummisky</image:title>
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      <image:title>Circle Mirror Transformation - ©Stephen Cummisky</image:title>
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      <image:title>Circle Mirror Transformation - ©Stephen Cummisky</image:title>
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  <url>
    <loc>http://chloelamford.com/god-bless-the-child</loc>
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    <lastmod>2014-11-30</lastmod>
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      <image:title>God Bless The Child</image:title>
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      <image:title>God Bless The Child</image:title>
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      <image:title>God Bless The Child - God Bless The Child</image:title>
      <image:caption>God Bless The Child / By Molly Davies / Jerwood Theatre Upstairs / Royal Court Theatre / November 2014 Direction: Vicky Featherstone Light: Phil Gladwell Choreography: Imogen Knight PRESS Chloe Lamford’s set sits us at the edges of a Year 4 classroom complete with wall displays, tiny coat hooks and hexagonal desks. Flags and cardboard raindrops hang from the strip-lit ceiling. It’s perfect. THE TIMES It must be said, though, and in no uncertain terms, that Chloe Lamford’s set is an utter treat. The gasps of delight were audible as the audience filed in, and several of us stayed afterwards to explore it a little more – all rendered childlike for a moment. EXEUNT Featherstone and her designer Chloe Lamford have added clever touches: the children must wear goggles when painting; one child’s artistic rendition of Catherine Parr, in unnerving rebellion, has eyes gushing brown blood down her face THE TELEGRAPH ...There’s much to admire in Vicky Featherstone’s lively production, not least Chloe Lamford’s delightfully authentic set of a large, colourful, overlit classroom. THE EVENING STANDARD  </image:caption>
    </image:image>
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      <image:title>God Bless The Child</image:title>
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      <image:title>God Bless The Child</image:title>
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      <image:title>God Bless The Child</image:title>
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      <image:title>God Bless The Child</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-06-12</lastmod>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2016/6/12/belgrade</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-06-12</lastmod>
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      <image:title>/ blog - Belgrade</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1465763813099-XGQMQAEJMNV4OBGX8MPH/image-asset.jpeg</image:loc>
      <image:title>/ blog - Belgrade</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1465763855850-XAMHECYBRFYE6OQ5OLA8/image-asset.jpeg</image:loc>
      <image:title>/ blog - Belgrade</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2014/11/10/national-theatre-hoardings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1415651600403-U9Y5ONN5IF8M8C4GKUQT/image-asset.jpeg</image:loc>
      <image:title>/ blog - National Theatre hoardings</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1415651687041-8V20J8ZCRVSCZ6ELDXPH/image-asset.jpeg</image:loc>
      <image:title>/ blog - National Theatre hoardings</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2014/3/16/hohenschnhausen-berlin</loc>
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    <priority>0.5</priority>
    <lastmod>2014-03-16</lastmod>
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      <image:title>/ blog - Hohenschönhausen, Berlin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1394963556225-8F732747BBNA1CLYJQ94/L1050581+copy.jpg</image:loc>
      <image:title>/ blog - Hohenschönhausen, Berlin</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1394963585313-L1UO6Q4PK5579FGCWVOM/image-asset.jpeg</image:loc>
      <image:title>/ blog - Hohenschönhausen, Berlin</image:title>
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    <loc>http://chloelamford.com/imported-20110205220447/2013/12/22/old-caravan</loc>
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    <priority>0.5</priority>
    <lastmod>2013-12-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1387736471272-U0AEUWG30DICPIM4X6ZU/DSC_0741+copy.jpg</image:loc>
      <image:title>/ blog - Old caravan</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1387736505634-DQ25MD1YNY5RPNNB1IE3/DSC_0664+copy.jpg</image:loc>
      <image:title>/ blog - Old caravan</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1387736527961-8OM02TPB9NFQ2UDQOR2Z/DSC_0736+copy.jpg</image:loc>
      <image:title>/ blog - Old caravan</image:title>
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      <image:title>/ blog - Old caravan</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2013/11/5/dia-de-los-muertos-acatln-mexico</loc>
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    <priority>0.5</priority>
    <lastmod>2013-11-05</lastmod>
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      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1383692967887-VWZBVX6KF7HUUD4CYYZ5/L1040281+copy.jpg</image:loc>
      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1383692999598-4A49915HPIU8QSUQRU7Z/dotd02.jpg</image:loc>
      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1383693055120-GZCS97LXRTWXGICIAWFN/L1040223+copy.jpg</image:loc>
      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1383693261334-7KDQEV6ARLHNXKVQ09EW/dotd01.jpg</image:loc>
      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1383693806842-RE5BGR0BPV5MUCVTQLC2/Untitled-1.jpg</image:loc>
      <image:title>/ blog - Dia De Los Muertos, Acatlán, Mexico</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2013/10/9/deserted-house-in-lancashire</loc>
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    <priority>0.5</priority>
    <lastmod>2013-10-10</lastmod>
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      <image:title>/ blog - Deserted house in Lancashire</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1381324602075-QKB1BH3520G2OI0MX5ZX/L1030716WEB.jpg</image:loc>
      <image:title>/ blog - Deserted house in Lancashire</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1381324631921-32I4DW9RKLWXFTDSQBO0/L1030710WEB.jpg</image:loc>
      <image:title>/ blog - Deserted house in Lancashire</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1381324652476-O7XJFX6WX18BVP2U165A/L1030731WEB.jpg</image:loc>
      <image:title>/ blog - Deserted house in Lancashire</image:title>
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      <image:title>/ blog - Deserted house in Lancashire</image:title>
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  <url>
    <loc>http://chloelamford.com/imported-20110205220447/2013/7/24/weekly-rep-at-the-royal-court</loc>
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    <priority>0.5</priority>
    <lastmod>2013-07-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1374661152665-VJX2WMWVV7UJ45H1CDJX/2013-07-16+15.32.51-1.jpg</image:loc>
      <image:title>/ blog - Weekly rep at the Royal Court</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1374661266127-15XOA6FMI5GJLFMHFXTT/01.jpg</image:loc>
      <image:title>/ blog - Weekly rep at the Royal Court</image:title>
      <image:caption>The President Has Come To See You</image:caption>
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      <image:title>/ blog - Weekly rep at the Royal Court</image:title>
      <image:caption>Death Tax</image:caption>
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      <image:caption>Bar/Installation with Franks Cafe The River Rooms at Somerset House October 2016 + Co-created with Camilla Clarke  </image:caption>
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      <image:title>Wish You Were Here - Wish You Were Here!</image:title>
      <image:caption>Bar/Installation with Franks Cafe The River Rooms at Somerset House October 2016 + Co-created with Camilla Clarke  </image:caption>
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  <url>
    <loc>http://chloelamford.com/moodboard</loc>
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    <lastmod>2016-05-31</lastmod>
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      <image:caption>Nuclear War by Simon Stephens Jerwood Theatre Upstairs at the Royal Court Theatre April 2017 + Direction: Imogen Knight Lighting:  Lee Curran</image:caption>
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      <image:title>Nuclear War</image:title>
      <image:caption>Nuclear War by Simon Stephens Jerwood Theatre Upstairs at the Royal Court Theatre April 2017 + Direction: Imogen Knight Lighting:  Lee Curran</image:caption>
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    <lastmod>2019-05-14</lastmod>
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      <image:caption>Grimly Handsome by Julia Jarcho The Site at the Royal Court Theatre December 2017 + Co-created by Chloe Lamford and Sam Pritchard  </image:caption>
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      <image:caption>Grimly Handsome by Julia Jarcho The Site at the Royal Court Theatre December 2017 + Co-created by Chloe Lamford and Sam Pritchard  </image:caption>
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    <loc>http://chloelamford.com/gallery</loc>
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    <lastmod>2026-07-27</lastmod>
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      <image:caption>John / By Annie Baker The Dorfman at the National Theatre, London January 2018 + Direction James Macdonald Lighting Design Peter Mumford  </image:caption>
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      <image:caption>Pity / By Rory Mullarkey Jerwood Theatre Downstairs at The Royal Court, London July 2018 + Direction: Sam Pritchard Lighting: Anna Watson Sound: Pete Malkin Choreography: Sasha Milavic Davies</image:caption>
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      <image:caption>Show Room An installation commissioned for the Great Arch Hall at Somerset House, London</image:caption>
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      <image:caption>Hilary and Clinton by Lucas Hnath Golden Theater, Broadway April 2019 + Direction Joe Mantello Lighting Hugh Vanstone</image:caption>
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      <image:caption>The Duchess of Malfi / By John Webster Almeida Theatre December 2019 + Direction Rebecca Frecknall Lighting Design Jack Knowles PRODUCTION PHOTOGRAPHS BY MARC BRENNER</image:caption>
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      <image:caption>Cat On A Hot Tin Roof / By Tennessee Williams Almeida Theatre, London December 2024 + Direction Rebecca Frecknall Lighting Design Lee Curran Sound Design Carolyn Downing Costume Moi Tran PRODUCTION PHOTOS BY MARC BRENNER</image:caption>
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      <image:caption>The Antipodes / By Annie Baker The Dorfman at the National Theatre, London November 2019 + Direction Annie Baker and Chloe Lamford Lighting Design Natasha Chivers Sound Design Tom Gibbons PRODUCTION PHOTOS BY MANUEL HARLAN</image:caption>
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      <image:caption>Het Hamiltoncomplex /by Lies Pauwels Het Paleis, Antwerp / August 2015 + Direction Lies Pauwels Costume Johanna Trudzinski</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1707310851106-EJB4DLAWG6KM0VWOQJQL/Giles+Terera+%28Othello%29+and+Martin+Marquez+%28Duke+of+Venice%29+in+Othello+at+the+National+Theatre.+Image+Credit+-+John+Persson_00070.jpg</image:loc>
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      <image:caption>1984 adapted by Robert Icke and Duncan Macmillan Headlong + Almeida + West End + Broadway September 2013 - October 2017 + Direction Robert Icke and Duncan Macmillan Lighting Natasha Chivers Sound Tom Gibbons Video Tim Reid</image:caption>
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      <image:title>Works</image:title>
      <image:caption>The Unscene These are the incidental scenarios and imagined narratives of inanimate objects played out in the offstage dust and the dark, away from the intense reality of a performance. The protagonists are the discarded scenery and props who find their own narratives, away from the prying eyes of the live audience. The action lies in our imaginative response to the unexpected scenes. A miniature ship is suspended in starlit infinity, classical columns are standing sentinel among the detritus of creation, inflatable vessels floating through the air like escaped dreams. These are the leftovers, the secret spaces and the aftermath. The discarded and overlooked are finding their own play. This is the unscene.</image:caption>
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      <image:title>Works - CUTE EXHIBITION // SOMERSET HOUSE</image:title>
      <image:caption>A series of spaces created with AOC architecture for an exhibition exploring all things cute. Archways reveal, and hold different spaces throughout the exhibition.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1498811313585-X748STW1T4YNQBJYLBLC/_DSC6683-3.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>A space where language, form, the body and instructions are the materials and where both artists and audience were invited to rethink how we create, present, and watch plays. This series of works was an experiment, exploring performance through language, physicality and the power of the imagination, created by five playwrights in response to Chloe Lamford’s provocation.</image:caption>
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      <image:title>Works - Cirque du Soleil ALIZÉ - Official Trailer</image:title>
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      <image:title>Works</image:title>
      <image:caption>J U L I E A stark and cold steel kitchen, reminiscent of a mausoleum or mortuary holds the action. Automated doors can burst open, and evolve into real cupboards or empty portals. The space floods like a sinister dream. Produced by International Theatre Amsterdam 2024 Direction and Adaptation: Rebecca Frecknall Design: Chloe Lamford Costume: An D’uys Lighting: Jack Knowles Sound: George Dennis For Chloe Lamford Studio Digital drafting and rendering: Noemi Daboczi Modelmaker: Karen Britcliffe  Fabian Calis</image:caption>
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      <image:title>Works</image:title>
      <image:caption>We lowered the whole stage at the Royal Court into the basement for this production, and made a huge scaffold sculpture in the void, within which there was pinned an abstract room space. Produced by Royal Court Theatre 2017 Writer: Guillermo Calderón Direction: Sam Pritchard Design: Chloe Lamford Lighting: Lizzie Powell Sound: Gareth Fry  Chloe Lamford</image:caption>
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      <image:title>Works</image:title>
      <image:caption>D E A T H O F A S A L E S M A N A derelict dreamspace, where Willy Lohman’s lost hopes and memories collide, conjured into reality before our eyes. Childhood relics lie in the earth around the space, a small tree attempting to grow from the dust. His sons as teenage boys burst out of the car driven on at the beginning of the show, memories becoming more chaotic and disturbing. For the final requiem his grave falls away from the floor, witnessed by his family. The Winter Garden / Broadway 2026 Direction: Joe Mantello Design: Chloe Lamford Costume: Rudy Mance Lighting: Jack Knowles Sound: Mikaal Sulaiman Music: Caroline Shaw Movement: Sasha Milavic Davies Associate designer: Ed Pierce Assistant designer: Kelly Pooler Associate director: Lily Dyble Hair and wigs: Rob Pickens Production management: Sightline Productions Set build: Showmotion Scenic art: Scenic Art Studios Props: More Good / Ray Wetmore General management: RCI Theatricals For Chloe Lamford Studio: Drafting and rendering: Machiko Weston Storyboarding and visualisations: Skyla Bridges  Emilio Madrid and Chloe Lamford</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1757961754582-EWGUPT66P5PUZ9B2F3LM/Jamie%2BParker%252C%2BJack%2BWolfe%2Band%2Bthe%2Bband%2Bin%2BNEXT%2BTO%2BNORMAL%2B-%2BDonmar%2BWarehouse%2B-%2Bphoto%2Bby%2BMarc%2BBrenner%2B-min.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>N E X T T O N O R M A L Set + Costume design An architectural dollshouse holds space for Diana’s grief and mentally delicate landscape, a band lives in the upstairs rooms causing synapses to fizzle and interrupt her troubled mind with Tom Kitt’s amazing score. Produced by David Stone + Donmar Warehouse West End 2024 Cast: Caissie Levy, Jamie Parker, Jack Wolfe, Eleanor Worthington-Cox, Trevor Dion Nicholas, Jack Ofrecio. Music: Tom Kitt Book and Lyrics: Brian Yorkey Direction: Michael Longhurst Musical Supervisor: Nigel Lilley Design: Chloe Lamford Associate design: Helen Hebert Movement and choreography: Ann Yee Lighting: Lee Curran Video: Tal Rosner Sound: Tony Gale Production manager: Chris Hay Costume supervisor: Sabia Smith Props: Propworks Set build: Deadline For Chloe Lamford Studio Digital drafting and rendering: Noemi Daboczi and Helen Hebert Modelmaker: Karen Britcliffe  Marc Brenner</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1784114771355-RER55QTZAR3OQ9PM66LH/Hermes_166_Experience_Press_V2_%C2%A9_Henry_Woide_Low+Res_010.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>H E R M É S M A I S O N 1 6 6 C E L E B R A T I O N Hermés threw an imaginative and joyful celebration for the launch of their incredible new space Maison 166 in London. We designed thematic theatrical pavilions and a finale extravaganza to surprise and delight. A true joy to create in collaboration with Studio Boum. Hurlingham Club, London / June 2026 Production and design: Studio Boum Direction: Hector Harkness and Emily Burns Choreography: James Cousins Lighting: Bruno Poet Costume: Annemarie Woods Sound: Ben and Max Ringham Pavilion props and dressing: Flur London Theatrical props: Propworks For Chloe Lamford Studio: Digital drafting and rendering: Machiko Weston Visuals and design associate: Skyla Bridges  Henry Woide</image:caption>
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      <image:title>Works</image:title>
      <image:caption>I N N O C E N C E Kaija Sariaaho’s beautiful opera is opening at the Met Opera in New York in April. We made this piece in lockdown in 2020 and it keeps touring the world, am so proud of it The set is a building that revolves throughout the performance, the rooms full of traces of memory and grief as it evolves from restaurant to school to empty shell before our eyes. Direction: Simon Stone Design: Chloe Lamford Costume: Mel Page Light: James Farncombe Choreography: Arco Renz Design associates through the journey: Anna Yates Noemi Daboczi Blanca Añon  Ilkka Saastamoinen www.chloelamford.com</image:caption>
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      <image:title>Works</image:title>
      <image:caption>We transformed the tiny theatre at the Royal Court upstairs into a brutal diorama full of barren earth. Needing a sense of poetry, we made our own cyclorama by pushing smoke into a sealed glass back wall, making a light installation of transformative billowing skies. Royal Court Theatre Upstairs 2019 Writer: Simon Longman Director: Vicky Featherstone Design: Chloe Lamford Lighting: Lee Curran Sound: Peter Rice Music: Matthew Herbert For Chloe Lamford Studio Digital drafting and modelmaking: Anna Yates  Chloe Lamford</image:caption>
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      <image:title>Works</image:title>
      <image:caption>O P H E L I A S Z I M M E R An exploration of Ophelia’s journey through Hamlet, we watched Ophelia’s room and her near silent journey through the play. We deconstructed Millais’ romantic portrait of her death, flooding her bedroom, layering her clothes until her body was bloating, rejected flowers from Hamlet scattered in the water. Schaubuhne Theater, Berlin 2016 Co-created by Katie Mitchell, Alice Birch and Chloe Lamford Text: Alice Birch Direction: Katie Mitchell Design: Chloe Lamford Lighting: Fabiana Piccioli Sound: Max Pappenheim  Gianmarco Bresadola</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1736871293774-Z8P7ZYY5CZMG3DC6FNIA/Assaad+Bouab+and+Janet+McTeer+in+Phaedra+at+the+National+Theatre.+Photo+by+Johan+Persson_19231.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>P H A E D R A A rotating glass box contains the action, allowing us a voyeuristic view into Phaedras spinning demise. Each of the five acts of the play gave us a totally new set inside the box with rapid scene changes made by an incredible crew in the Lyttelton Theatre. A home, a field, an empty office, a restaurant, a snowy hillside. Watch on National Theatre at Home Lyttleton Theatre 2023 Directed and written by Simon Stone Design: Chloe Lamford Costume: Mel Page Lighting: James Farncombe Sound and music: Stefan Gregory Associate director: Nimmo Ismail Production manager: Mekel Edwards Set build, scenic art and props made by the workshops at the National Theatre, London  Johan Persson and rehearsal images by Chloe Lamford</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1548968595098-1WLIRO1IVP0NL4X0F3NL/_DSC9791.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>H E X E N J A G D (The Crucible) The young women of the play set the stage on fire. They are imprisoned in a space above a courtroom where the play is put on trial in an adaptation by Robert Icke. Produced by Theater Basel January 2019 Direction and adaptation: Robert Icke Design: Chloe Lamford Costume: Wojciech Dziedzic Lighting: Tom Visser Sound: Tom Gibbons For Chloe Lamford Studio: Drafting and rendering: Anna Yates Model: Anna Yates  Chloe Lamford</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1747670865736-R6FNATQ7I8DTXLKE90EY/orfeo_et_156.0x800.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>L ’ O R F E O Claudio Monteverdi Slow moving black mountains dominate a barren black landscape. Hell is portrayed as a minimalist steel space floating in the darkness. Produced by Zurich Opera 2024 Conductor: Ottavio Dantone Direction: Evgeny Titov Design: Chloe Lamford Associate design with Noemi Daboczi Costume: Annemarie Woods Lighting: Martin Gebhardt For Chloe Lamford Studio Digital drafting and rendering: Noemi Daboczi and Emma Pile Storyboarding and texture rendering: Skyla Bridges Modelmaker: Karen Britcliffe  Monika Ritterhaus</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1548964921221-1ETFQK2600268GT068L2/_DSC9575.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>T H E C A N E Set and costume design Disrupting architecture. An abstract room, impossibly tall, is slowly overtaken by the secrets of the play. The ceiling creeps lower revealing the grim attic above, seemingly crushing the patriarch at the end of the play. Produced by The Royal Court Theatre, London 2019 Cast: Nicola Walker, Maggie Steed and Alun Armstrong Writer: Mark Ravenhill Direction: Vicky Featherstone Design: Chloe Lamford Costume: Chloe Lamford Lighting: Natasha Chivers Sound: David McSeveney Production manager: Marty Moore Set build: Simon York For Chloe Lamford Studio Digital drafting and model: Anna Yates  Chloe Lamford</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5006f17fe4b09ef2252e5d86/1536333659308-0BQ7KLXJL616YFT5OJ38/_DSC9223.jpg</image:loc>
      <image:title>Works</image:title>
      <image:caption>B R I T N E Y O R G O O F Y A series of fantasy backdrops collage, collide and collapse through the performance. An array of statues and plinths reside amongst fantasties from seven young people, three fashion models and a priest. The juxtapositions found are uncomfortable, clashy and cathartic. Produced by Het Paleis, Antwerp 2019 Direction: Lies Pauwels Design: Chloe Lamford Costume: Johanna Trudzinski Dramaturgy: Tom Rummens For Chloe Lamford Studio Digital drafting and rendering: Anna Yates  Chloe Lamford</image:caption>
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