HB_01.jpg
  The History Boys  / By Alan Bennett /Sheffield Crucible Theatre / May 2013  Direction:  Michael Longhurst   Lighting:   Neil Austin   Sound:     Max and Ben Ringham   Choreography:  Imogen Knight   PRESS  ... when the boys perform choreographed scene changes to loud Eighties pop pastiches on a thrust stage marked out by sports-court white lines, Chloe Lamford’s sprawling design comes into its own.  ★★★★ THE TIMES  he fading lines of a badminton court on the polished hardwood parquet immediately evoked the dreary, empty routines of grammar school life.  ★★★★ THE INDEPENDENT  ★★★★ THE GUARDIAN

The History Boys / By Alan Bennett /Sheffield Crucible Theatre / May 2013

Direction: Michael Longhurst

Lighting:  Neil Austin

Sound:    Max and Ben Ringham

Choreography: Imogen Knight

PRESS

... when the boys perform choreographed scene changes to loud Eighties pop pastiches on a thrust stage marked out by sports-court white lines, Chloe Lamford’s sprawling design comes into its own.

★★★★ THE TIMES

he fading lines of a badminton court on the polished hardwood parquet immediately evoked the dreary, empty routines of grammar school life.

★★★★ THE INDEPENDENT

★★★★ THE GUARDIAN

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HB_05.jpg
HB_01.jpg
  The History Boys  / By Alan Bennett /Sheffield Crucible Theatre / May 2013  Direction:  Michael Longhurst   Lighting:   Neil Austin   Sound:     Max and Ben Ringham   Choreography:  Imogen Knight   PRESS  ... when the boys perform choreographed scene changes to loud Eighties pop pastiches on a thrust stage marked out by sports-court white lines, Chloe Lamford’s sprawling design comes into its own.  ★★★★ THE TIMES  he fading lines of a badminton court on the polished hardwood parquet immediately evoked the dreary, empty routines of grammar school life.  ★★★★ THE INDEPENDENT  ★★★★ THE GUARDIAN
800x600.fitdown8.jpg
HB_03.jpg
HB_02.jpg
HB_04.jpg
HB_08.jpg
HB_05.jpg

The History Boys / By Alan Bennett /Sheffield Crucible Theatre / May 2013

Direction: Michael Longhurst

Lighting:  Neil Austin

Sound:    Max and Ben Ringham

Choreography: Imogen Knight

PRESS

... when the boys perform choreographed scene changes to loud Eighties pop pastiches on a thrust stage marked out by sports-court white lines, Chloe Lamford’s sprawling design comes into its own.

★★★★ THE TIMES

he fading lines of a badminton court on the polished hardwood parquet immediately evoked the dreary, empty routines of grammar school life.

★★★★ THE INDEPENDENT

★★★★ THE GUARDIAN

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