Chloe Lamford trained in Theatre Design at Wimbledon School of Art. She received the Arts Foundation Fellowship for Design for Performance 2013.
Designs for theatre include:
Circle Mirror Transformation and Open Court for the Royal Court Theatre; Salt, Root and Roe (Donmar Warehouse); Disco Pigs and Sus (Young Vic), Blackta (costume design) also at the Young Vic Theatre; My Shrinking Life, Appointment with the Wicker Man, Knives in Hens (National Theatre Scotland); Praxis Makes Perfect, The Radicalisation of Bradley Manning (National Theatre Wales); Boys (Headlong Theatre); Cannibals and The Gate Keeper (Manchester Royal Exchange); Ghost Story (Sky Arts Live Drama), Britannicus (Wilton’s Music Hall), The History Boys (Sheffield Crucible), My Romantic History (Crucible, Sheffield/ Bush), Joseph K, The Kreutzer Sonata (Gate), Songs from a Hotel Bedroom (Linbury Studio ROH + Tour), It Felt Empty… (Clean Break), Everything Must Go! and This Wide Night (Soho Theatre), The Mother Ship, How to Tell the Monsters from the Misfits (Birmingham Rep), The Country (Salisbury Playhouse), Desire Lines (Sherman, Cardiff), Small Miracle (Tricycle/ Mercury, Colchester-Winner Best Design TMA awards).
Her designs for opera include:
The Little Sweep and Let's Make An Opera at Malmo Opera House, Sweden;The Magic Flute (English Touring Opera), War and Peace (Scottish Opera/ RCS), Cunning Little Vixen, Orpheus in the Underworld (Royal College of Music) and La Calisto (Early Opera Company).
Current/Future productions are:
1984 with Headlong Theatre, The Events (ATC / Young Vic), The World of Extreme Happiness (The Shed, National Theatre); Lungs (Schaubühne am Lehniner Platz).