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  Disco Pigs  / By Enda Walsh / Young Vic / September 2011  Direction:  Cathal Cleary   Lighting:   Anna Watson   Sound:     Tom Gibbons    PRESS   Chloe Lamford's ragtag set is a triumph, a 1990s hotchpotch of detritus, old sheets and net curtains that is an exciting backdrop to Cleary's creative directorial decisions.  ★★★★ THE INDEPENDENT  Chloe Lamford’s design creates a chaotic fantasy world, in which the two seem half trapped in childhood, eating plastic play food and fighting shop dummies.  ★★★★ THE FINANCIAL TIMES  Quite rightly, Cleary treats it as the period piece it is, but he and designer Chloe Lamford also look forward to later Walsh plays with a set suggesting a stage within a stage on which Runt and Pig are condemned, like two ham actors, to act out the same script.  ★★★★ THE GUARDIAN  Cleary marshalls their passions well, and with the sound designer Tom Gibbons and the lighting designer Anna Watson makes something evocative of Chloe Lamford’s beautifully cluttered set.  THE TIMES

Disco Pigs / By Enda Walsh / Young Vic / September 2011

Direction: Cathal Cleary

Lighting:  Anna Watson

Sound:    Tom Gibbons

PRESS

Chloe Lamford's ragtag set is a triumph, a 1990s hotchpotch of detritus, old sheets and net curtains that is an exciting backdrop to Cleary's creative directorial decisions.

★★★★ THE INDEPENDENT

Chloe Lamford’s design creates a chaotic fantasy world, in which the two seem half trapped in childhood, eating plastic play food and fighting shop dummies.

★★★★ THE FINANCIAL TIMES

Quite rightly, Cleary treats it as the period piece it is, but he and designer Chloe Lamford also look forward to later Walsh plays with a set suggesting a stage within a stage on which Runt and Pig are condemned, like two ham actors, to act out the same script.

★★★★ THE GUARDIAN

Cleary marshalls their passions well, and with the sound designer Tom Gibbons and the lighting designer Anna Watson makes something evocative of Chloe Lamford’s beautifully cluttered set.

THE TIMES

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Disco_09 WEB.jpg
Disco_13.jpg
  Disco Pigs  / By Enda Walsh / Young Vic / September 2011  Direction:  Cathal Cleary   Lighting:   Anna Watson   Sound:     Tom Gibbons    PRESS   Chloe Lamford's ragtag set is a triumph, a 1990s hotchpotch of detritus, old sheets and net curtains that is an exciting backdrop to Cleary's creative directorial decisions.  ★★★★ THE INDEPENDENT  Chloe Lamford’s design creates a chaotic fantasy world, in which the two seem half trapped in childhood, eating plastic play food and fighting shop dummies.  ★★★★ THE FINANCIAL TIMES  Quite rightly, Cleary treats it as the period piece it is, but he and designer Chloe Lamford also look forward to later Walsh plays with a set suggesting a stage within a stage on which Runt and Pig are condemned, like two ham actors, to act out the same script.  ★★★★ THE GUARDIAN  Cleary marshalls their passions well, and with the sound designer Tom Gibbons and the lighting designer Anna Watson makes something evocative of Chloe Lamford’s beautifully cluttered set.  THE TIMES
Disco Pigs_0066.jpg
Disco_23 WEB.jpg
Disco Pigs_0134.jpg
Disco_11.jpg
Disco_09 WEB.jpg

Disco Pigs / By Enda Walsh / Young Vic / September 2011

Direction: Cathal Cleary

Lighting:  Anna Watson

Sound:    Tom Gibbons

PRESS

Chloe Lamford's ragtag set is a triumph, a 1990s hotchpotch of detritus, old sheets and net curtains that is an exciting backdrop to Cleary's creative directorial decisions.

★★★★ THE INDEPENDENT

Chloe Lamford’s design creates a chaotic fantasy world, in which the two seem half trapped in childhood, eating plastic play food and fighting shop dummies.

★★★★ THE FINANCIAL TIMES

Quite rightly, Cleary treats it as the period piece it is, but he and designer Chloe Lamford also look forward to later Walsh plays with a set suggesting a stage within a stage on which Runt and Pig are condemned, like two ham actors, to act out the same script.

★★★★ THE GUARDIAN

Cleary marshalls their passions well, and with the sound designer Tom Gibbons and the lighting designer Anna Watson makes something evocative of Chloe Lamford’s beautifully cluttered set.

THE TIMES

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